Module 3: Goddess (1934)

Module 3: Goddess (1934)

Why is Goddess the most celebrated Chinese film of the silent era? How did the film become iconic of the glamor and pathos of the first golden age of Chinese filmmaking? How did Goddess respond to popular cinematic genres such as melodrama, or to the reality of pervasive prostitution in the city of Shanghai? What makes Goddess a work of art? How does its style differ from other films about vulnerable women, like New Women (1935)? How does set design, camera work, or narrative set Goddess apart? The young director Wu Yonggang (1907-1982), working with a small budget and a set of his own design, created a restrained work of art that captures lead actor Ruan Lingyu at her most radiant.

The film:

Shennü
Alternative English title: The Goddess
Written and directed by Wu Yonggang
Lianhua Film Studio
Released on December 7, 1934
Cast: Ruan Lingyu, Li Keng, Zhang Zhizhi, Li Junpan
English subtitles translated by Christopher Rea

Widely regarded as the finest Chinese silent film, Goddess is a stylistic masterpiece. A single mother working as a streetwalking prostitute finds herself trapped in a relationship with a thuggish gambler, and desperately fights to escape. How should society respond to her sacrifices? An exemplary melodrama featuring legendary actress Ruan Lingyu at her most radiant. Child actor Li Keng (Henry Lai, Lai Hang) also appears in films Sports Queen (1934) and Song of China (1935).

Video lecture 1: Legends of the fall


11:21 minutes

Contents:

  • Plot summary
  • “Goddess” as a “fallen woman film”: the genre in China and around the world
  • How “Goddess” responds to the New Life Movement, launched by the Nationalist government in 1934
  • Chinese “maternal melodramas” about the long-suffering, self-sacrificing mother

Video lecture 2: The gaze of a goddess


13:50 minutes

Contents:

  • De-sensationalizing prostitution: Wu Yonggang’s minimalist depiction of everyday life in the city
  • Cinematography: Framing male domination through camera angle and screen space
  • Representing a double life through narrative structure: Contrasting indoor and outdoor, night and day, private and public spaces
  • The aura of the gaze of a goddess

Learn more

Watch other films starring Ruan Lingyu:

This module is under construction.